The self, then, as a performed character, is not an organic thing that has a specific location, whose fundamental fate is to be born, to mature and to die; it is a dramatic effect arising diffusely from a scene that is presented, and the characteristic issue, the crucial
concern, is whether it will be credited or discredited.
(Goffman 1967:223)
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Photo reblogged from Critical Critic
fuckyeahfeministartandliterature:
Barbara Kruger, Untitled, 1981.
(Source: gofagyrself)
Text
ondaatje, secular love
You said, this
doesn’t happen so quick
I must remind you of someone.
No,
though I am seduced
by this light, and
frantic arguments
on the porch,
I ain’t subtle
you run rings
round me
but this quietness
white dress long legs
arguing your body away from me
And with all the hunger
I didn’t know I had.
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